Hideaki anno net worth
- •
Hideaki Anno Evangelion Director and Producer
Hideaki Anno (born May 22, 1960) is one of Japan’s leading animators who was born in Ube, in Yamaguchi Prefecture. He is famous around the world for being the creator of the Evangelion series and franchise that was a huge hit domestically and globally. In addition to animation he is also known for being an artist, film director, screenwriter, actor and producer. Currently, he is the founder and president of the production company Studio Khara, Inc.
Background and Start of Career
Anno had an interest in art and production from a very early age. In his early years as a highschooler, he was known for having a strong interest in creating art and short films for local Japanese Culture festivals. His formal career started while being a university student at the Osaka University of Arts. This is where he created anime series and films such as ‘The Super Dimension Fortress Macross’ and the ‘DAICON’ series. Her created short anime films together with fellow university students such as Yoshiyuki Sadamoto in which later he would start an a
- •
Hideaki Anno
Japanese animator and filmmaker (born 1960)
Hideaki Anno (Japanese: 庵野 秀明, Hepburn: Anno Hideaki, born May 22, 1960)[1] is a Japanese animator, filmmaker and actor.[1] His most celebrated creation, the Evangelion franchise, has had a significant influence on the anime television industry and Japanese popular culture. Anno's style is defined by his postmodernist approach and the extensive portrayal of characters' thoughts and emotions.
Anno's other directorial works include Daicon Film's Return of Ultraman (1983), Gunbuster (1988), Nadia: The Secret of Blue Water (1990), Kare Kano (1998), Love & Pop (1998), Shiki-Jitsu (2000), Cutie Honey (2004), Re: Cutie Honey (2004), Rebuild of Evangelion (2007–2021), and Shin Godzilla (2016),[2] with the latter film marking the beginning of the Shin trilogy of tokusatsu franchise reboots, followed by Shin Ultraman (2022) and Shin Kamen Rider (2023).[3] Several of Anno's anime have won the Animage Anime Grand Prix award, including Nadia: The Secre “ Godzilla exists in a world of science fiction, not only of dreams and hopes, but he's a caricature of reality, a satire, a mirror image. Recently, Japan has also been careless in the way it has attempted to depict him. In all honesty, Japanese production budgets and schedules are so tight, compared to the world’s capitol, not to mention the constraints imposed on filmmakers in terms of content. Frankly, I’m not sure how far outside the lines we can go. However, movies have pride, even trifling little films; therefore, just as in the case of the new Evas, I’m going in full force. When I think about what I’ve accomplished, the twists and turns befitting a screenplay, everything has led to this point. I write this with the hope that the reader might understand at least to some degree that no matter what a creator says, it’s just an excuse, but I’m under pressure to make a visual effects fantasy film representative of modern Japan, with the full awareness of our current situation, which will be subjected to intentions both good and bad. „ — H
Copyright ©cowroof.pages.dev 2025•
Hideaki Anno