Audre lorde partner

Poet and author Audre Lorde used her writing to shine light on her experience of the world as a Black lesbian woman and later, as a mother and person suffering from cancer. A prominent member of the women’s and LGBTQ rights movements, her writings called attention to the multifaceted nature of identity and the ways in which people from different walks of life could grow stronger together.

Audrey Geraldine Lorde was born on February 18, 1934 to Frederic and Linda Belmar Lorde, immigrants from Grenada. She was the youngest of three sisters and grew up in Manhattan. As a child, Lorde dropped the “y” from her first name to become Audre.

Lorde connected with poetry from a young age. She once commented, “I used to speak in poetry...when I couldn’t find the poems to express the things I was feeling, that’s what started me writing poetry.” She was around 12 or 13 at the time. She graduated from Hunter High School, where she edited the literary magazine. After an English teacher rejected one of her poems, Lorde submitted it to Seventeen magazine – it became her first professional publi

Audre Lorde

American writer and feminist activist (1934–1992)

Not to be confused with André de Lorde.

Audre Lorde (AW-dree LORD; born Audrey Geraldine Lorde; February 18, 1934–November 17, 1992) was an American writer, professor, philosopher, intersectional feminist, poet and civil rights activist. She was a self-described "Black, lesbian, feminist, socialist, mother, warrior, poet" who dedicated her life and talents to confronting different forms of injustice, as she believed there could be "no hierarchy of oppressions" among "those who share the goals of liberation and a workable future for our children."[2][3]

As a poet, she is well known for technical mastery and emotional expression, as well as her poems that express anger and outrage at civil and social injustices she observed throughout her life. She was the recipient of national and international awards and the founding member of Kitchen Table: Women of Color Press.[4] As a spoken word artist, her delivery has been called powerful, melodic, and intense by the Poetry Foundation.&

A Book That Puts the Life Back Into Biography

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To capture the spirit of the poet Audre Lorde, Alexis Pauline Gumbs decided to break all the rules.

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When the critic Janet Malcolm set aside a biography of Sylvia Plath and began reading a memoir about the author instead, she felt as if she “had been freed from prison.” The writing in the biography, Bitter Fame,by Anne Stevenson, had been “by far the most intelligent” of the published Plath biographies at the time, but the conventions of the form, its “hushed cautiousness, the solemn weighing of ‘evidence,’” could stifle even the most effervescent talent. Stevenson’s pursuit of objectivity had required a sacrifice of style and of feeling.

It was 1994 when Malcolm published those words in The Silent Woman, her book-length investigation of Plath’s reputation, her work, and the people who tried to write about her. Since then, the number of biographical projects on Plath has

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