Mercedes sosa - razón de vivir
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History of folkloric music in Argentina
Detailed and orderly exposition of events and facts related to the folkloric music in Argentina
The folkloric music of Argentina traces its roots to the multiplicity of native indigenous cultures.[1] It was shaped by four major historical-cultural events: Spanish colonization and forced African immigration caused by the slave trade during the Spanish domination (16th–18th centuries); the large wave of European immigration (1880–1950)[2] and the large-scale internal migration (1930–1980).[3]
Although strictly speaking "folklore" is only that cultural expression that meets the requirements of being anonymous, popular and traditional, in Argentinafolklore or folkloric music is known as popular music of known authorship, inspired by rhythms and styles characteristic of provincial cultures, mostly of indigenous and Afro-Hispanic-colonial roots. Technically, the appropriate denomination is "music of folkloric projection of Argentina".[4][5]
In Argentina, the music of folkloric project
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Playwright and writer and in both Spanish and English with numerously published theater plays depicting social and political aspects of our society and historical myths from Argentina as well as the rest of the world. To learn more please see www.lazarodroznes.com. Featured plays:
English Titles:
ASTOR&NADIA.
The meeting of Astor Piazzolla with Nadia Boulanger that changed the tango.
FREUD IN LOVE
The women of Sigmund Freud
DIRTY. SHORTY. FUNNY.SEXY. WITTY. ONE LINER JOKES
One liner jokes to exercise oral sex at home and at work.
Spanish titles
ANGELES RECOLETOS.
Los muertos reviven la historia argentina en la Recoleta
ASTOR&NADIA.
El encuentro entre Astor Piazzolla y Nadia Boulanger
CHE COMANDANTE: El musical.
¿Revolucionario o aventurero?
CHE FAUSTO.
El pacto de Enrique Santos Discépolo con el Diablo.
CHE GARDEL.
Comedia musical del eterno zorzal
DA VINCI ENAMORADO
La interminable historia de amor de Da Vinci y La Gioconda.
DESNAZIFICANDO A LENI
La historia de Leni Riefenstahl en la Alemania nazi.
EJERCICIO PLÁSTICO
La increíble h
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Mercedes Sosa
Argentine singer (1935–2009)
Not to be confused with Mercedes Sola.
Haydée Mercedes "La Negra" Sosa (Latin American Spanish:[meɾˈseðesˈsosa]; 9 July 1935[1] – 4 October 2009) was an Argentine singer who was popular throughout Latin America and many countries outside the region. With her roots in Argentine folk music, Sosa became one of the preeminent exponents of El nuevo cancionero. She gave voice to songs written by many Latin American songwriters. Her music made people hail her as the "voice of the voiceless ones".[2] She was often called "the conscience of Latin America".[3]
Sosa performed in venues such as the Lincoln Center in New York City, the Théâtre Mogador in Paris, the Sistine Chapel in Vatican City, as well as sold-out shows in New York's Carnegie Hall and the Roman Colosseum during her final decade of life. Her career spanned four decades and she was the recipient of six Latin Grammy awards (2000, 2003, 2004, 2006, 2009, 2011), including a Latin Grammy Lifetime Achievement Award in 2004 and two posthum
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